1. Voigtlander Nokton 10.5mm F/0.95 Aspherical (M3/4)
The Nokton 10.5mm f/0.95 Lens from Voigtlander offers Micro Four Thirds users a wide-angle lens well-suited for low-light still photography and video. The lens utilizes a pair of aspherical elements to reduce aberrations and distortions, as well as maintain a compact form factor. Selective Aperture Control System produces a stepless, de-clicked aperture ring, which provides silent and smooth exposure adjustment that is well-suited for video application. The aperture ring can also be configured to utilize traditional click stops for more intuitive tactile control over exposure settings.
2. Voigtlander Nokton 25mm F/0.95 ASPH (M4/3)
The Voigtländer Nokton 25mm f/0.95 for Micro Four Thirds is one of the most interesting pieces of my kit. With a huge f/0.95 aperture, it allows over an extra full stop of light to the camera, compared to the f/1.4; the limit of most “large aperture primes” on the market. If f/1.2 is high-end and f/1 is exotic when it happens, the f/0.95 is obscene. Set your ISO to a modest “800”. And crank open an f/0.95 lens. The shutter speed jumps to 1/200 solely with the street lights, and 1/500 around commercial areas, with lots of neons and shop windows. You can freeze the action on places you can barely see where you’re going, without boosting the ISO and the noise that comes with it. it’s the first of four “Nokton” lenses that solved an old Micro Four Thirds problem: the lack of equivalent options for the DSLR “look”. All 10.5mm, 17.5mm, 25mm, and 45mm “f/0.95” can render on the mirrorless format the same shallow DoF look from APS-C or full-frame DSLR. I knew the f/0.95 would do it and after a long search in Hong Kong, I found it on a dubious store, one of those places that sell smoothie blenders on the same counter as digital cameras.
3. Voigtlander Nokton 40mm F/1.2 Aspherical Lens For (Leica M)
The Nokton 40mm f/1.2 Aspherical from Voigtlander is a short normal prime designed for M-mount rangefinder cameras. Its comfortable focal length pairs with an impressively fast f/1.2 maximum aperture to enable notable control over depth of field for producing a shallow depth of field imagery, and this aperture also benefits working in difficult lighting. Complementing the fast design is an optical layout that uses two aspherical elements to suppress spherical aberrations and distortion for notable sharpness, clarity, and accurate rendering. The lens’s manual focus design permits working with subjects as close as 1.6′ away, and it is also rangefinder coupled to 2.3′ for working with optical focusing systems. Bright, fast f/1.2 maximum aperture affords extensive control over depth of field for selective focus techniques and also benefits working in low-light conditions. Two aspherical elements are featured in the optical design to control spherical aberrations and improve clarity, sharpness, and resolution. Rounded ten-blade diaphragm contributes to a smooth quality of bokeh.
4. Voigtlander Ultron 28mm/F2 (M-Mount)
The Ultron 28mm f/2 from Voigtlander pairs a wide field of view with a bright f/2 maximum aperture. Additionally, a manual focus design is also used, which permits working with subjects as close as 2.3′ away, and a dedicated lens hood is included to shield the front element and reduce lens flare. Bright f/2 maximum aperture benefits working in low-light conditions and also helps in controlling depth of field. Manual focus design enables a minimum focusing distance of 2.3′.A 10-blade diaphragm contributes to a smooth and pleasing bokeh quality.
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